Selected Chapters in Books
"Encountering the Uncontainable in Arts" in God and Wonder: Theology, Imagination, and the Arts, eds. Jeffrey W. Barbeau and Emily Hunter McGowin, (Eugene, OR: Wipf and Stock Press, 2022), pp. 103-118.
"Scripture in Sound," in Hearing and Doing the Word: The Drama of Evangelical Hermeneutics, eds. Daniel J. Treier and Douglas A. Sweeney (London: Bloomsbury T&T Clark, 2021) pp. 287-302.
“Music and Divine Revelation,” in The Oxford Handbook of Divine Revelation, ed. Francesca Murphy and Kenneth Oakes (Oxford: Oxford University Press, 2021), pp. 604-621.
“An Awkward Witness in a Worded World: Music and the Reformation”, in The Protestant Reformation of the Church and the World, ed. John Witte and Amy Wheeler (Louisville: Kentucky, WJK, 2018), pp. 71-8.
‘“A Semblance more Lucid’? An Exploration of Trinitarian Space”, in George Westhaver (ed.), A Transforming Vision (London: SCM Press, 2018), pp. 22‒38.
“Time and Eternity: Richard Bauckham and the Fifth Evangelist,” in In the Fullness of Time, eds. Jonathan T. Pennington and Grant Macaskill (Grand Rapids, MI: Eerdmans, 2016), pp. 29-48.
“Modelling Harmony: Music in Peace-Building” in Mediating Peace: Reconciliation through Art, Music & Film, eds. Sebastian Kim, Pauline Kollontai, and Sue Yore (Newcastle: Cambridge Scholars Publishing, 2015), pp. 194-209.
“Natural Theology and Music” in The Oxford Handbook of Natural Theology, ed. Russell Re Manning, (Oxford: Oxford University Press, 2013), pp. 566-580.
“The Future of Theology Amid the Arts: Some Reformed Reflections” in Christ Across the Disciplines: Past, Present, Future (Grand Rapids, MI: Eerdmans, 2013), pp. 152-182.
“Confidence and Anxiety in Elgar’s The Dream of Gerontius” in Music and Theology in Nineteenth-Century Britain, ed. M. V. Clarke (Farnham: Ashgate, 2012), pp. 197-214.
“Created Beauty: The Witness of J. S. Bach,” in The Beauty of God: Theology and the Arts, eds. Daniel Treier, Mark Husbands and Roger Lundin (Downers Grove, Illinois: InterVarsity Press, 2007), pp. 19–44.
“Music, Mystery and Sacrament,” in The Gestures of God: Explorations in Sacramentality, eds. Geoffrey Rowell and Christine Hall (London: Continuum, 2004), pp. 173–91.
“…the artist can help us imagine the ultimate future of the world—its re-creation by God—something the natural sciences are not equipped to demonstrate. Christian art, I believe, whatever else it evokes, will surely have a dimension of promise about it, a flavor of hope.”
- “A Conversation with Jeremy Begbie” in Image Journal, Iss. 85.